Lei Áurea

Carolina Soares' song 'Lei Áurea' delves deep into the harrowing history of slavery in Brazil and the aftermath of the Lei Áurea, or the Golden Law, which was signed in 1888 by Princess Isabel. The song begins by painting a vivid picture of the brutal conditions endured by enslaved Africans, who were treated like animals and forced to work long hours under the threat of violence. The repetitive plea, 'Não bata n'eu mais não' (Don't hit me anymore), underscores the relentless cruelty and the desperate cries for mercy that went unheard.

The signing of the Lei Áurea is presented not as a moment of true liberation but as a superficial gesture that failed to address the systemic issues faced by the newly freed individuals. The line 'O negro foi jogado na rua, essa lei não adiantou' (The black man was thrown into the street, this law did not help) highlights the harsh reality that freedom on paper did not translate to freedom in life. The freed slaves were left without resources, support, or a place in society, leading to a continued existence of hardship and marginalization.

The song's refrain, 'Libertação, libertação, libertação' (Liberation, liberation, liberation), is a poignant reminder that true freedom and equality were still out of reach. Soares' powerful lyrics call attention to the ongoing struggle for justice and the need to recognize and address the deep-seated inequalities that persisted long after the abolition of slavery. Through 'Lei Áurea,' Soares not only commemorates a significant historical event but also critiques its shortcomings and the enduring legacy of oppression.