Manhatã
Cazuza
From Brazil to Manhattan: A Journey of Identity and Adaptation
Cazuza's song 'Manhatã' is a vivid portrayal of a Brazilian's experience adapting to life in New York City. The lyrics paint a picture of someone who has arrived in the city 'num pé de vento' (in a whirlwind), quickly acquiring the trappings of success like a car and an apartment. This character is a 'mandigueiro,' a term that can imply a hustler or someone who uses charm and wit to get by, emphasizing the pursuit of the American Dream. The transformation is evident as he adopts a new identity, blending into the melting pot of cultures in the United States, becoming a 'chicano, índio americano' (Chicano, American Indian) and embracing the American lifestyle with a leather jacket and a sense of ownership over his new environment.
The song also delves into the protagonist's navigation of social and cultural dynamics in Manhattan. He lives like a 'bom capitalista' (good capitalist), frequenting the dentist and being treated with respect, even though he only has a tourist visa. The lyrics highlight the contrast between his new life and his roots, as he walks through Central Park in the snow, mingles with movie stars, and makes scenes in the subway with his All Star sneakers. His 'latin style' and 'baticulelê' (a playful, rhythmic movement) captivate the locals, showcasing his unique blend of South American flair in the cosmopolitan setting of New York.
Despite his adaptation, the protagonist's Brazilian identity remains strong. When homesickness strikes, he seeks comfort in familiar tastes like 'feijão com pimenta' (beans with pepper) and a 'Hollywood' cigarette from a Chinese store on 46th Street. The song captures the duality of his existence, balancing his new life in 'Manhatã' with the cultural ties to his homeland. The freedom and liberal atmosphere of New York allow him to express himself fully, even smoking a joint in front of a police officer and cursing in Portuguese. This blend of cultures and experiences underscores the theme of identity and adaptation, as he proudly declares himself 'South American' in the heart of Manhattan.
