Medieval II

Cazuza's song 'Medieval II' delves into the complexities of love and self-identity in a modern world that often feels paradoxically ancient. The lyrics open with a plea for modernity, juxtaposed with the singer's desire for a specific person. This sets the stage for a recurring theme: the tension between societal expectations and personal desires. Cazuza's use of medieval imagery, such as building castles and embarking on a 'tour to hell,' serves as a metaphor for the highs and lows of love. These metaphors highlight the timeless nature of emotional experiences, suggesting that despite technological and societal advancements, human emotions remain fundamentally unchanged.

The chorus questions whether the singer is 'medieval,' despite feeling 'so current.' This line captures the essence of the song: the struggle to reconcile one's inner self with external perceptions. The 'new Middle Ages' and 'media of average novelty' phrases critique contemporary culture, implying that modern society is not as advanced as it claims to be. Instead, it is a blend of old and new, where ancient emotions and modern technologies coexist, often clashing with each other.

In the latter part of the song, Cazuza expresses a belief in 'silly things' read in newspapers and a sentimental Portuguese side, further emphasizing the conflict between rationality and emotion. The reference to 'beautiful mills' and the playful nature of life, which 'always plays with me,' underscores the unpredictability and whimsical nature of existence. The song concludes with a reiteration of the medieval-modern dichotomy, leaving listeners to ponder their own place in this complex, ever-evolving world.