Las Tres Potencias
Celina Y Reutilio
Invoking the Spiritual Power of Afro-Caribbean Beliefs in 'Las Tres Potencias'
The song 'Las Tres Potencias' by Celina Y Reutilio is a vibrant homage to the syncretic religious beliefs that blend African spirituality with Catholicism, particularly prevalent in Cuba and other parts of the Caribbean. The lyrics are a call to the spiritual forces, or 'potencias,' asking for their descent to provide healing and protection. The song is rich with references to Santería, a religion that originated in West Africa and was brought to the Caribbean by enslaved Africans.
Celina Y Reutilio, a Cuban musical duo known for their contributions to the genre of 'guaracha' and Afro-Cuban music, often incorporate religious themes into their songs. In 'Las Tres Potencias,' they invoke Santa Bárbara, who is syncretized with the Orisha Chango, a deity of thunder, lightning, and fire. The mention of Orula and Yemaya refers to other Orishas, or divine beings, each with their own domain, such as wisdom and the sea, respectively. The song's chorus emphasizes the need to give strength to these spiritual entities so that they may come down and provide their blessings.
The lyrics also mention María Lionza, Negro Felipe, and Guaicaipuro, who are part of the Venezuelan spiritual pantheon known as 'Las Tres Potencias.' These figures are revered in a practice similar to Santería, known as Maria Lionza's cult, which also blends indigenous, African, and European elements. The song's call for the use of tobacco, gunpowder, essence, and drums to invoke the presence of these spirits reflects the ritualistic aspects of these religious practices. The repetition of the need for 'fuerza' (strength) underscores the communal effort in Afro-Caribbean spirituality to connect with the divine through music, dance, and ritual.