Papa Boco

Celina Y Reutilio's song 'Papa Boco' is a vibrant and evocative piece that delves into the world of Afro-Cuban spirituality and ritual practices. The lyrics are rich with references to Santería, a syncretic religion that blends African traditions with Catholicism, which is prevalent in Cuba. The song opens with a series of chants, 'Ae, ae, Ae mamá, Ae papá,' which set a ceremonial tone, invoking familial and spiritual figures. The repetition of 'Papa Boco' suggests a call to a spiritual entity or a revered figure within this religious context.

The imagery in the lyrics is vivid and symbolic. Phrases like 'Con un retrato pa' bajo y la candela en la boca' (With a portrait facing down and a candle in the mouth) and 'Con una vela en la mano y un rabo de gato en la otra' (With a candle in one hand and a cat's tail in the other) depict ritualistic elements used in Santería practices. These items are believed to hold spiritual power and are used to invoke protection and guidance. The mention of 'cuatro velas de a centavo y tres vasitos de agua ardiente' (four penny candles and three glasses of burning water) further emphasizes the ritualistic nature, highlighting the use of simple yet potent offerings to the spirits.

The song also touches on the role of the 'bruja' or witch, who performs rituals to influence love and attraction. The lyrics describe actions like 'se cruza dos alfileres pa' conseguir las mujeres' (crossing two pins to get women) and 'se pone cebo en un sobre pa' conseguir a los hombres' (putting bait in an envelope to get men), showcasing the belief in magical practices to affect personal relationships. The recurring mention of a 'pañuelo colorao' (red handkerchief) symbolizes protection and power, a common element in many Afro-Cuban rituals. Through 'Papa Boco,' Celina Y Reutilio offer a glimpse into the mystical and protective aspects of their cultural heritage, celebrating the enduring influence of these spiritual practices.