Correte Beethoven

Charly García's 'Correte Beethoven' is a rebellious anthem that captures the essence of youthful defiance and the transformative power of music. The song's repetitive chorus, 'Para aquí, para allá,' creates a sense of restlessness and movement, reflecting the chaotic energy of a generation seeking freedom and expression. García's frustration with societal norms and expectations is palpable as he rails against being told what to do and how to live, encapsulated in lines like 'Estoy harto que me digan / Que me peguen, que me sigan.' This sentiment is further emphasized by the imagery of his parents being preoccupied with mundane tasks while he is left in the dark, both literally and metaphorically, with 'Y me cortaron la luz.'

The song's title, 'Correte Beethoven,' is a bold declaration of García's desire to break free from classical constraints and embrace the raw, unfiltered energy of rock music. By invoking Beethoven, a symbol of classical music's grandeur and rigidity, García positions himself in opposition to traditional forms and celebrates the liberating force of rock. The line 'La música nos va a matar' suggests that music, with its intense emotional and physical impact, has the power to both destroy and save, a duality that resonates throughout the song.

García's lyrics also touch on themes of alienation and the search for identity. He describes himself as a 'fusible,' a fuse, ready to blow under pressure, and acknowledges his own madness with 'Yo soy tan loco que parezco irrompible.' The references to Beethoven's works, such as 'Para Elisa' and 'La Novena,' are twisted into metaphors for García's own experiences and struggles, highlighting the disconnect between high culture and the raw, visceral reality of his life. The song's closing lines, 'Para aquí, para allá,' repeated like a mantra, reinforce the idea of perpetual motion and the relentless pursuit of something more meaningful and authentic.