Parte de la Religion

Charly García's song 'Parte de la Religión' delves into the complexities of societal norms and the internal struggles of individuals who conform to them. The lyrics paint a picture of a man who adheres strictly to societal expectations, living a life that is 'decent' and 'independent' but also filled with guilt and fear. This man avoids physical contact and is paralyzed by his own thoughts, suggesting a deep internal conflict and a sense of isolation. The repetition of 'es parte de la religión' underscores the idea that these behaviors are ingrained and almost ritualistic, highlighting the powerful influence of societal norms on individual behavior.

The song also touches on themes of sexuality and the rapid pace of change in modern life. The lines about a woman undressing 'tan lésbicamente' (so lesbian-like) and the rapid construction and destruction of everything around them suggest a world in flux, where traditional norms are constantly being challenged and redefined. García's use of the word 'religión' in this context can be seen as a metaphor for the rigid structures and beliefs that govern society, often leading to hypocrisy and moral contradictions.

In the final verses, García bluntly states that killing and lying are also 'part of the religion,' pointing to the darker aspects of societal norms. This stark declaration serves as a critique of the moral failings that are often hidden beneath the surface of respectable society. By juxtaposing these harsh realities with the earlier themes of guilt and fear, García paints a comprehensive picture of the human condition under the weight of societal expectations. The song ultimately serves as a powerful commentary on the ways in which societal norms can both shape and constrain individual lives, leading to a life of internal conflict and moral ambiguity.