América (feat. Pedro Aznar)

Charly García's song 'América,' featuring Pedro Aznar, delves into the complex and often contradictory feelings towards America and the broader concept of Western modernity. The lyrics are imbued with a sense of fear and disillusionment, reflecting García's critical view of the cultural and political landscape. The repeated phrase 'Tengo miedo de América' (I am afraid of America) sets the tone for the song, highlighting a deep-seated anxiety about the influence and impact of American culture and politics.

The song's lyrics touch on various fears, from the personal ('miedo de ser feliz' - fear of being happy) to the societal ('miedo de réplicas, que nos saquen de aquí' - fear of replicas that take us away from here). García's fear of America is not just about the country itself but also about the pervasive influence of its culture, media, and politics. The line 'Lo que muestran no es la verdad' (What they show is not the truth) suggests a skepticism towards the media and the narratives it constructs, a sentiment that resonates with many who feel disillusioned by the superficiality and manipulation in modern society.

The song also explores the idea of the future as a 'oscuro callejón' (dark alley), a metaphor for the uncertainty and potential dangers that lie ahead. The 'Tierra del mañana vende el alma en un billón' (Land of tomorrow sells its soul for a billion) line criticizes the commodification of values and the loss of integrity in the pursuit of wealth. This critique is not just aimed at America but at the broader global trend of prioritizing economic gain over ethical considerations. García's collaboration with Pedro Aznar adds a layer of depth to the song, as both artists are known for their thoughtful and often critical perspectives on society.

'America' is a powerful commentary on the fears and anxieties of living in a world dominated by American culture and values. It challenges listeners to question the narratives they are fed and to consider the true cost of progress and modernity.