Morena de Angola

Chico Buarque Chico Buarque

The Enigmatic Rhythm of the Angolan Beauty

Chico Buarque's song 'Morena de Angola' is a vibrant and rhythmic tribute to a captivating woman from Angola. The lyrics revolve around the image of a 'morena' (a term often used in Brazil to describe a woman with dark skin) who wears a rattle tied to her ankle. This rattle becomes a central metaphor in the song, symbolizing the inseparable connection between the woman and the rhythm she embodies. The repeated question, 'Será que ela mexe o chocalho ou o chocalho é que mexe com ela?' (Does she move the rattle, or does the rattle move her?), highlights this symbiotic relationship, suggesting that her identity and essence are intertwined with the music and movement she creates.

The song delves into various scenarios, imagining the 'morena' in different contexts—whether she's cooking, dancing, or even in intimate moments. Each verse paints a vivid picture of her life, filled with rhythm and motion. The rattle is not just an accessory but a part of her being, influencing her actions and the world around her. This portrayal celebrates the cultural richness and the spirited nature of Angolan women, emphasizing their resilience, joy, and the integral role of music and dance in their lives.

Chico Buarque, known for his poetic and socially conscious lyrics, uses 'Morena de Angola' to pay homage to the Angolan culture and its people. The reference to the MPLA (Popular Movement for the Liberation of Angola) at the end of the song adds a layer of political context, acknowledging the struggles and the fight for independence in Angola. This blend of personal, cultural, and political elements makes the song a powerful and multifaceted piece, reflecting Buarque's deep engagement with social issues and his admiration for the strength and beauty of the Angolan spirit.

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  1. Construção
  2. Geni e o Zepelim
  3. Qué Será
  4. Sinhá
  5. Apesar de Você
  6. Fado Tropical (feat. Ruy Guerra)
  7. Construcción
  8. Você Não Ouviu
  9. Geni Y El Zepelin
  10. Quem Te Viu, Quem Te Vê
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