Paratodos

Chico Buarque's song "Paratodos" is a rich tapestry of Brazilian cultural and musical heritage. The lyrics begin with a personal recounting of Buarque's ancestry, tracing his lineage through various Brazilian states—São Paulo, Pernambuco, Minas Gerais, and Bahia. This geographical journey underscores the diverse cultural influences that have shaped his identity and artistry. By mentioning his forefathers, Buarque not only pays homage to his roots but also sets the stage for a broader exploration of Brazilian music and its icons.

The song then transitions into a tribute to Antonio Brasileiro, a pseudonym for the legendary composer Antonio Carlos Jobim. Buarque credits Jobim with inspiring his musical journey, likening his influence to a guiding force that has helped him navigate both the highs and lows of life. This acknowledgment serves as a bridge to the next part of the song, where Buarque lists a pantheon of Brazilian musical legends, from Dorival Caymmi to Jackson do Pandeiro, and from Luiz Gonzaga to Pixinguinha. Each name mentioned is a cornerstone of Brazilian music, representing various genres and styles that have enriched the country's cultural landscape.

Buarque's lyrics also delve into the therapeutic and redemptive power of music. He suggests that the works of these musical giants can serve as remedies for life's ailments—be it loneliness, melancholy, or even crime. This idea is encapsulated in lines like "Contra fel, moléstia, crime / Use Dorival Caymmi," implying that music has the power to heal and uplift. The song culminates in a celebratory tone, acknowledging contemporary artists and extending a hopeful message to future generations. By doing so, Buarque not only honors the past but also looks forward to the continued evolution of Brazilian music.