A Fiery Rebellion Against Oppression in 'Pedrada'

Chico César's song 'Pedrada' is a powerful anthem of resistance against fascism and oppression. The lyrics vividly describe the rise of fascist forces, likening them to rabid dogs and serpents emerging from eggs, symbolizing the rebirth of dangerous ideologies. The imagery of 'cães danados do fascismo' and 'serpente' paints a picture of a society under threat from deceitful and oppressive forces. These metaphors highlight the insidious nature of fascism, which seeks to maintain control and subjugate the masses through fear and violence.

The song also critiques the socio-political system, referring to it as a 'república de parentes,' suggesting a corrupt and nepotistic government. The phrase 'nova Babilônia' evokes the biblical city known for its decadence and moral decay, implying that modern society is similarly corrupt and exploitative. The line 'somos só carne humana pra moer' starkly illustrates the dehumanization and exploitation of people, reducing them to mere resources to be consumed by the system. This bleak portrayal underscores the urgency and necessity of resistance.

Despite the grim depiction of society, 'Pedrada' is ultimately a call to action. The repeated refrain 'nós temos a pedrada pra jogar' and 'a bola incendiária está no ar' symbolizes the power of the people to fight back. The 'pedrada' (stone) and 'bola incendiária' (incendiary ball) represent tools of rebellion and defiance. The invocation of 'Fogo nos fascistas' and 'Fogo, Jah!' calls for the destruction of oppressive forces and invokes a higher power for justice. Chico César's song is a rallying cry for those who resist oppression, urging them to take a stand and fight for their freedom and dignity.

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  1. A Primeira Vista
  2. Pétala Por Pétala
  3. Alma Não Tem Cor
  4. A Prosa Impúrpura do Caicó
  5. Paraíba Meu Amor
  6. Tudo de Amor
  7. Mama África
  8. Mand'ela
  9. Mulher Eu Sei
  10. Por Que Você Não Vem Morar Comigo?
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