Witchcraft

Chris Juris's song 'Witchcraft' delves into the complexities and illusions of modern society, using metaphors and vivid imagery to critique the superficiality and manipulation prevalent in contemporary culture. The lyrics paint a picture of a world where individuals are reduced to mere commodities, manipulated by unseen forces much like puppets in a grand, never-ending séance. The reference to 'business-Haiti' and 'business-Indies' suggests a globalized economy where people are exploited and dehumanized, their true essence masked by trendy appearances and commercial interests.

The song's recurring theme of 'TV-viewers never get the picture' underscores the idea that the masses are often blind to the underlying truths of their existence, distracted by the superficial and the sensational. The 'witches in the garden' and 'dancing round autos-da-fé' evoke images of historical witch hunts and public executions, drawing a parallel to how society ostracizes and punishes those who deviate from the norm. The 'commercial tunes on their recorders' symbolize the pervasive influence of media and advertising, which dictate societal values and behaviors.

Juris also explores the concept of identity and self-perception through the 'eye of the beholder' motif. The 'frayed balloon' and 'classified purpose dancing like a sorceress' suggest that our identities are fragile and easily manipulated by external forces. The imagery of 'Hong Kong angels in the air' and 'witch's clothing' further emphasizes the deceptive nature of appearances. The song ultimately portrays a world where people are 'walking like the dead,' trapped in a cycle of conformity and consumerism, unable to see the true 'witch' that society keeps burning at the garden stake.