Aura

The Church's song 'Aura' delves into the complexities of human experience, particularly through the lens of war and its aftermath. The opening lines set the stage with a return from battle, highlighting the confusion and disorientation that often follows such traumatic events. The mention of Poseidon, the Greek god of the sea, suggests a struggle against overwhelming forces, both external and internal. The soldiers seek solace in alcohol and opium, indicating their desperate need to escape the lingering pain and memories of war.

The narrative then shifts to an encounter with a foreign culture, described as fierce yet paradoxically loving. This juxtaposition of violence and affection serves as a metaphor for the duality of human nature. The protagonist experiences a non-physical wound, symbolizing emotional or psychological trauma. The captors, who worship various deities including Baal and the sun, represent a different worldview that challenges the protagonist's understanding of life and conflict. Their method of 'killing' through love rather than violence further emphasizes the theme of duality.

The song culminates in a series of philosophical equations that blur the lines between opposites: love and hate, life and death, man and woman. The repeated phrase 'priest = aura' suggests a mystical or spiritual dimension, where traditional roles and identities dissolve into a more profound, interconnected reality. This final message from the 'enemies' encapsulates the song's exploration of existential themes, urging listeners to reconsider their perceptions of conflict, identity, and the nature of existence itself.