Canto XII (Canto Dos Escravos)

Clementina de Jesus's song "Canto XII (Canto Dos Escravos)" is a poignant reflection of the spiritual and cultural heritage of Afro-Brazilian slaves. The lyrics revolve around the figure of São João (Saint John), a significant saint in Christian tradition, who is depicted as visiting heaven and our Lord. This imagery serves as a metaphor for the hope and faith that sustained the enslaved people through their suffering. The repetition of the phrase "São João foi no céu" (Saint John went to heaven) emphasizes the longing for spiritual salvation and a better life beyond the earthly struggles.

The song's structure, with its repetitive and chant-like quality, mirrors the traditional call-and-response patterns found in African music, which were preserved and adapted by the enslaved Africans in Brazil. The phrases "omen, omenhá, rossequê" are likely derived from African languages, adding a layer of cultural authenticity and connection to the ancestors. These words, though their exact meaning may be obscure, evoke a sense of ritual and communal participation, which were crucial elements in the slaves' spiritual practices.

Clementina de Jesus, known for her deep, soulful voice and her dedication to preserving Afro-Brazilian musical traditions, brings a profound sense of authenticity and emotion to this song. Her performance is not just a musical rendition but a powerful act of cultural preservation and resistance. By singing "Canto XII (Canto Dos Escravos)", she honors the memory of the enslaved Africans and their enduring spirit, reminding listeners of the resilience and strength that can be found in faith and cultural identity.