Matalos

Cosculluela's song 'Matalos' delves deep into the harsh realities of street life, survival, and the moral ambiguities that come with it. The lyrics are a raw portrayal of the struggles faced by those living in dangerous environments, where the lines between right and wrong are often blurred. The opening lines set the tone by presenting conditional commandments, suggesting that moral rules are often bent or broken out of necessity. For instance, 'No robarás, siempre y cuando no pases hambre' (You shall not steal, as long as you are not hungry) highlights the desperation that can lead to crime.

The song also emphasizes the isolation and constant vigilance required to survive in such a world. Cosculluela mentions walking alone and the silent witnesses who see but never speak, indicating a community bound by a code of silence. This is a place where trust is scarce, and survival often depends on one's ability to navigate a treacherous social landscape. The repeated phrase 'los mejores del mundo' (the best in the world) serves as a mantra of self-affirmation, a necessary mindset for those who must constantly prove their worth and strength.

Cosculluela's vivid imagery and references to weapons, crime, and survival tactics paint a picture of a life lived on the edge. The song is not just a narrative but a reflection of the artist's environment and experiences. It speaks to the broader issues of poverty, violence, and the survival instinct that drives people to extreme measures. The cultural context of the song is deeply rooted in the realities of urban life in Puerto Rico, where Cosculluela hails from, and it resonates with many who face similar struggles worldwide.