Chon-Ki-Fu

Cri-Cri, also known as Francisco Gabilondo Soler, is a beloved Mexican composer and performer of children's music. His song 'Chon-Ki-Fu' tells the whimsical and somewhat melancholic story of a little Chinese man painted on a large vase. The narrative begins with the little man being accused of saying a nonsensical phrase, 'Yan-tse-amo-oua-ting-I, Pong-chong-kí,' which leads to his being brought before a mandarin. This phrase, repeated throughout the song, adds a playful and rhythmic element, characteristic of Cri-Cri's style, which often blends humor with a touch of the fantastical.

The little Chinese man expresses his desire to escape the vase, as he is depicted in the clutches of a dragon. This imagery can be seen as a metaphor for feeling trapped or constrained by one's circumstances. Despite his plea, he is forced to return to the vase, symbolizing the inescapability of his situation. The repetition of the nonsensical phrase underscores his frustration and helplessness.

When the emperor passes by, the little man seizes the opportunity to cry out again, hoping for a change in his fate. However, his plea is met with a threat of violence, and although the emperor shows mercy by sparing his life, he decrees that the little man must remain in the vase forever. This resolution highlights themes of authority, mercy, and the limitations of freedom. The song ends on a somber note, with the little man resigning to his fate, never to utter his nonsensical phrase again. Cri-Cri's 'Chon-Ki-Fu' is a poignant tale wrapped in a playful melody, reflecting the complexities of hope, confinement, and acceptance.