Subirusdoistiozin

Criolo Criolo

The Struggles and Realities of the Streets in 'Subirusdoistiozin'

Criolo's song 'Subirusdoistiozin' delves deep into the harsh realities and struggles faced by those living in the favelas of Brazil. The lyrics paint a vivid picture of the daily life, challenges, and the socio-economic disparities that exist in these communities. The song opens with a conversation about the youth, highlighting the divide between those who strive to do right and those who fall into the traps of crime and violence. This sets the tone for the rest of the song, which is a raw and unfiltered commentary on the environment Criolo grew up in.

The chorus, with its repetitive 'Para pa pa' sounds, serves as a haunting reminder of the cyclical nature of the struggles faced by the people in the favelas. It emphasizes the monotony and the inescapable reality of their situation. Criolo uses vivid imagery and street slang to describe the environment, mentioning the scorching sun, the constant surveillance, and the ever-present danger. The line 'É justo é Deus, o homem não' (God is just, man is not) reflects a deep sense of disillusionment with human justice and a reliance on divine justice.

Throughout the song, Criolo contrasts the material desires and the harsh realities of life in the favelas. He mentions luxury items like a Golf car and a Hornet bike, juxtaposing them with the violence and the struggle for survival. The lyrics also touch on the innocence lost, as children are exposed to violence and crime from a young age. The song criticizes those who exploit the favelas for their gain, calling them cowards for perpetuating the cycle of poverty and violence. The closing lines highlight the stark contrast between the privileged and the underprivileged, pointing out the systemic issues that keep the favelas in a state of perpetual struggle.

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  1. Fio De Prumo (Padê Onã)
  2. Menino Mimado
  3. Cálice
  4. Freguês da Meia-Noite
  5. Sistema Obtuso (feat. Tropkillaz)
  6. Mariô
  7. Casa de Mãe
  8. Me Corte Na Boca do Céu, a Morte Não Pede Perdão (feat. Milton Nascimento)
  9. Duas de Cinco
  10. Pretos Ganhando Dinheiro Incomoda Demais
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