Mariô

Criolo's song 'Mariô' is a powerful blend of cultural references, social commentary, and spiritual invocation. The repeated phrase 'Ogum adjo, ê mariô' is a call to the Afro-Brazilian deity Ogum, a warrior god associated with strength and protection. This invocation sets the tone for the song, suggesting a need for resilience and fortitude in the face of societal challenges.

The lyrics reference various cultural icons and historical figures, such as Sabotage, Chico Science, Mulatu Astatke, and Fela Kuti. These names are not just dropped for their fame but are emblematic of resistance, creativity, and the struggle for social justice. By mentioning these figures, Criolo aligns himself with a legacy of artists who use their platform to address societal issues and inspire change. The line 'Atitudes de amor devemos samplear' (We should sample attitudes of love) emphasizes the importance of love and unity in overcoming adversity.

Criolo also critiques the superficiality and hypocrisy he observes in society. He speaks of the 'hipocrisia doce que alicia nossas crianças' (sweet hypocrisy that entices our children), highlighting the dangers of deceptive influences on the younger generation. The artist's disdain for these societal flaws is palpable, and he calls for a return to genuine values and self-awareness. The song's message is clear: in a world filled with deceit and superficiality, one must remain vigilant, grounded, and true to oneself.

'Mariô' is not just a song but a call to action. It urges listeners to be aware of their surroundings, to question the status quo, and to draw strength from cultural and spiritual roots. Criolo's blend of social critique, cultural homage, and spiritual invocation makes 'Mariô' a compelling and thought-provoking piece that resonates deeply with its audience.