Cartão de Visita (feat. Tulipa Ruiz)

Criolo's song "Cartão de Visita (feat. Tulipa Ruiz)" offers a sharp critique of social inequality and the superficiality of consumer culture. The lyrics paint a vivid picture of opulence and luxury, with references to high-end brands like Dom Pérignon, Veuve Clicquot, and Louboutin. The song's narrator describes a lavish setting filled with imported cars, security guards in Armani suits, and even gourmet treats for pets. This extravagant lifestyle is contrasted with the harsh reality faced by many, symbolized by the boy at the traffic light who is humiliated and detested by those enjoying the party.

The song's chorus, "Acha que tá mamão, tá bom, tá uma festa," serves as a biting commentary on the ignorance and indifference of the wealthy. The phrase suggests that the rich believe everything is perfect and celebratory, oblivious to the struggles of the less fortunate. Criolo uses this juxtaposition to highlight the growing divide between the rich and the poor, emphasizing that not everything that glitters is gold. The lyrics also touch on the role of government and consumerism in perpetuating this inequality, with lines like "Governo estimula e o consumo acontece" and "O opressor é omisso e o sistema é cupim."

In addition to critiquing social inequality, the song also delves into the emptiness of materialism. The narrator's job at the buffet, offering "imãs de geladeira com Sartre e Nietzsche" as a token of culture, underscores the superficiality of the elite's attempts to appear cultured and sophisticated. The song ends on a reflective note, questioning the meaning of existence and the societal pressures to conform. Criolo's poignant lyrics and Tulipa Ruiz's haunting vocals create a powerful commentary on the state of modern society, urging listeners to reflect on their own values and the world around them.