Esquiva da Esgrima

Criolo's 'Esquiva da Esgrima' is a powerful social commentary that delves into the harsh realities of life in Brazil's marginalized communities. The song's title, which translates to 'Dodge of the Fencing,' suggests a constant struggle to navigate through life's challenges and adversities. Criolo uses vivid imagery and poignant metaphors to paint a picture of a society plagued by violence, inequality, and lost values.

The lyrics open with a critique of superficiality and disrespect, highlighting how money and materialism have corrupted societal values. Criolo reminisces about a time when respect and dialogue were enough to resolve conflicts, contrasting it with the present, where violence and firearms have become commonplace. The reference to AR-15s and young people with rifles underscores the normalization of violence in these communities.

Criolo also touches on the cultural and intellectual richness of his people, mentioning inspirations like Black Alien and Ferrez. He emphasizes the empirical knowledge and resilience of the 'maloqueiros' (street kids), who navigate their harsh realities with wisdom and strength. The song also reflects Criolo's personal background, as he speaks of his Cearense heritage and the struggles of his ancestors, drawing strength from their resilience.

The recurring chorus, 'Hoje não tem boca pra se beijar, não tem alma pra se lavar, não tem vida pra se viver, mas tem dinheiro pra se contar,' poignantly captures the emptiness and moral decay of contemporary society. It contrasts the lack of genuine human connection and spiritual fulfillment with the relentless pursuit of wealth. The imagery of 'the mouth of hell waiting for you' serves as a stark warning about the consequences of this moral decline.

In 'Esquiva da Esgrima,' Criolo masterfully blends social critique with personal reflection, creating a poignant and thought-provoking piece that challenges listeners to reflect on the state of society and their role within it.