Me Corte Na Boca do Céu, a Morte Não Pede Perdão (feat. Milton Nascimento)

Criolo's song "Me Corte Na Boca do Céu, a Morte Não Pede Perdão" featuring Milton Nascimento is a profound exploration of social injustice, existential despair, and the harsh realities of life in marginalized communities. The lyrics are rich with metaphors and vivid imagery, painting a stark picture of the struggles faced by the poor and disenfranchised. The opening lines, "Me corte na boca do céu a morte não pede perdão," suggest a sense of inevitability and the unforgiving nature of death, setting the tone for the rest of the song.

The song delves into the systemic issues that plague society, such as the violence and corruption that disproportionately affect the poor. The lines "Se os corais tivessem braços e pernas, pegariam em armas / Pra travar guerra civil com a terra fuzil de sub aquática" use the metaphor of corals taking up arms to highlight the desperation and fight for survival in a world that seems indifferent to their plight. The imagery of a mother in a shack, burdened by the weight of love, underscores the personal toll of these broader societal issues.

Throughout the song, Criolo reflects on his own feelings of isolation and disillusionment. The repeated refrain, "Eu me vesti de solidão, me vesti de solidão," emphasizes a deep sense of loneliness and the search for meaning in a world filled with chaos and suffering. The mention of carnival as a fleeting escape, where "fantasia pra alegoria, teu posto é só uma ilusão," suggests that even moments of joy and celebration are tinged with the harsh realities of life. The song ultimately serves as a powerful commentary on the human condition, urging listeners to confront the injustices around them and find solidarity in shared experiences.