Pretos Ganhando Dinheiro Incomoda Demais

Criolo Criolo

The Struggle and Resilience of Black Communities

Criolo's song "Pretos Ganhando Dinheiro Incomoda Demais" is a powerful commentary on the systemic issues faced by Black communities in Brazil. The lyrics paint a vivid picture of the cycle of violence and poverty that many young Black individuals are trapped in. The repeated lines about firearms and the life of crime highlight the harsh realities of living in marginalized neighborhoods, where the allure of quick money through illegal means often leads to tragic outcomes. The phrase "Essa guerra não acaba" (This war doesn't end) underscores the ongoing nature of these struggles, suggesting a sense of hopelessness and inevitability.

The song also addresses the societal discomfort with Black success. The line "Pretos ganhando dinheiro incomoda demais" (Black people making money bothers too much) speaks to the deep-seated racism and economic inequality that persist in society. Criolo points out that respect is often tied to financial status, and the success of Black individuals is seen as a threat to the status quo. This reflects broader issues of systemic racism and the barriers that Black people face in achieving economic mobility.

Despite the grim depiction of violence and systemic oppression, Criolo offers a glimmer of hope through the idea of revolution via art and education. The repeated refrain about the real revolution coming with "arte e educação" (art and education) suggests that empowerment and change can be achieved through cultural and intellectual means. This message is a call to action, encouraging the community to seek progress and transformation through positive and constructive avenues, rather than succumbing to the cycle of violence and despair.

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  1. Demorô
  2. Convoque Seu Buda
  3. Cleane
  4. Até Me Emocionei
  5. Plano de Vôo (part. Síntese)
  6. Pequenina (part. Jaques Morelenbaum, Liniker, Maria Vilani e MC Hariel)
  7. Grajauex
  8. Fio De Prumo (Padê Onã)
  9. Me Corte Na Boca do Céu, a Morte Não Pede Perdão (part. Milton Nascimento)
  10. Cálice
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