Siempre que escucho al Cuarteto (2003)

El Cuarteto de Nos, a renowned Uruguayan rock band known for their satirical and often controversial lyrics, delivers a playful yet provocative narrative in 'Siempre que escucho al Cuarteto (2003)'. The song intertwines themes of nostalgia, youthful mischief, and romantic encounters, all set against the backdrop of listening to the Cuarteto, a genre of music that holds significant cultural value in Uruguay and Argentina.

The lyrics recount a series of memories triggered by listening to the Cuarteto. The protagonist reminisces about meeting a romantic interest at a secret dance, where they danced and played a game called 'teto', leading to a budding romance. The repetition of the phrase 'siempre que escucho al Cuarteto' underscores the strong association between the music and these pivotal moments in the protagonist's life. The playful and somewhat risqué nature of the lyrics reflects the band's signature style, blending humor with a touch of irreverence.

A recurring motif in the song is the children's rhyme 'Tengo una muñeca vestida de azul', which is subverted with increasingly explicit and adult-themed variations. This juxtaposition of innocent childhood imagery with adult content serves to highlight the transition from innocence to experience, a common theme in El Cuarteto de Nos's work. The song's playful tone and catchy melody mask the deeper commentary on how music can evoke powerful memories and emotions, blurring the lines between past and present, innocence and experience.

'Siempre que escucho al Cuarteto' is a testament to El Cuarteto de Nos's ability to craft songs that are both entertaining and thought-provoking. It invites listeners to reflect on their own nostalgic connections to music and the memories it can evoke, all while enjoying the band's unique blend of humor and musicality.