Mírala

Dalmata's song "Mírala" delves into the intriguing duality of a woman's persona, portraying her as a figure who balances professionalism and rebellion. The lyrics paint a vivid picture of a woman who, by day, is a respectable and composed individual, likely a teacher or someone in a similar role, as suggested by the line "De ocho a tres en laja" (From eight to three in the classroom). This part of her life is marked by discipline and decorum, where she 'teaches with her clothes on,' indicating a sense of propriety and professionalism.

However, the song takes a turn as it explores her transformation after her work hours. The repeated phrase "mira-la, mirala mirala mira-la" (look at her, look at her) emphasizes the dramatic change she undergoes when she lets her hair down, both literally and metaphorically. This act of 'letting her hair down' symbolizes her shedding the constraints of her daytime role and embracing a more carefree, rebellious side. The lyrics describe her as causing a stir and becoming more coquettish, highlighting the contrast between her daytime and nighttime personas.

The song also touches on themes of desire and admiration, as the narrator expresses a longing to be close to her, to 'memorize her anatomy,' and even to re-enroll in school just to be near her. This admiration is tinged with a sense of awe at her ability to seamlessly transition between her two roles. The metaphor of her 'howling like a wolf' at night further underscores her wild, untamed side that emerges when she is free from her daytime responsibilities. Through these vivid contrasts, Dalmata captures the complexity and allure of a woman who embodies both discipline and rebellion, making "Mírala" a celebration of her multifaceted nature.