Rastrero

Damas Gratis, a prominent band in the cumbia villera genre, delivers a scathing critique in their song 'Rastrero.' The lyrics are a direct confrontation, calling out someone who pretends to be something they are not. The term 'rastrero' itself is a derogatory term in Spanish, often used to describe someone who is deceitful or lowly. The song's protagonist accuses this person of being a fraud, highlighting their false bravado and lack of genuine criminal background. The repeated lines 'te pones cartel de chorro' (you put up a sign of being a thief) and 'sos una rata nada más' (you're just a rat) emphasize the disdain and contempt felt towards this individual.

The lyrics also delve into the hypocrisy and pretense of the person being addressed. The mention of 'tres teclado al pedo y un negro que grita miau' (three keyboards for nothing and a black guy who screams meow) paints a picture of a superficial and exaggerated display, lacking substance. The protagonist mocks the individual's attempts to appear tough and criminal, questioning their actual experiences and credibility. The line 'decime en que penal cuantos años estuviste preso' (tell me in which prison and for how many years you were imprisoned) challenges the authenticity of their claims.

Culturally, 'Rastrero' reflects the raw and unfiltered style of cumbia villera, a genre known for its gritty portrayal of life in the lower socio-economic neighborhoods of Argentina. Damas Gratis uses their music to voice the frustrations and realities of their community, often addressing themes of crime, poverty, and social injustice. This song, in particular, serves as a powerful denunciation of those who exploit these themes for personal gain without truly understanding or experiencing them. The aggressive tone and direct language are characteristic of the genre, making 'Rastrero' a compelling and provocative piece.