3 teclado al pedo

Damas Gratis Damas Gratis

Unmasking a Pretender: The Raw Truth in '3 teclado al pedo'

The song '3 teclado al pedo' by Damas Gratis, a band known for its Cumbia Villera music—a subgenre of cumbia music that originated in the slums of Argentina—dives into the theme of authenticity and the pretense of toughness. The lyrics are a direct confrontation to someone who claims to be a criminal or 'tough guy' but is perceived by the singer as nothing more than a poser. The song's title, which translates to '3 keyboards for nothing,' could be a metaphor for having all the tools or appearances of something without the substance or skill to back it up.

The lyrics mention 'un negro que grita miau,' which translates to 'a black man who screams meow,' suggesting that the person is pretending to be something they're not, much like a man imitating a cat. The song continues to challenge the subject's credibility, questioning their criminal history and mocking their attempts to appear dangerous. The use of the term 'ortiba,' which is Argentine slang for a snitch or someone who betrays their peers, further discredits the person's reputation within the context of street credibility.

Overall, '3 teclado al pedo' is a scathing critique of individuals who try to build a reputation on false pretenses, particularly within the context of street culture where authenticity is highly valued. The song uses humor and sarcasm to expose and ridicule the subject's lack of genuine toughness, suggesting that they are merely playing a part rather than living the reality they claim to represent.

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  1. Palo Y A La Bolsa
  2. Mira Como Esta La Vagancia
  3. Cumbia En La Playa
  4. Quieren Bajarme
  5. Rastrero
  6. Industria Argentina
  7. A todo ritmo
  8. Corazón De Arroz
  9. Los Dueños De Pabellon
  10. Te Vas a Arrepentir (part. La Joaqui)
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