Das ist alles von kunstfreiheit gedeckt

Danger Dan's song "Das ist alles von kunstfreiheit gedeckt" is a bold and provocative exploration of the limits of artistic freedom. The lyrics are a direct confrontation with controversial figures and ideologies, wrapped in a satirical and speculative narrative. By using hypothetical scenarios, Danger Dan critiques and mocks public figures like Jürgen Elsässer, Kubitschek, and Gauland, suggesting that their actions and beliefs are harmful and absurd. The use of the subjunctive mood throughout the song allows him to navigate the legal gray areas of defamation and free speech, emphasizing that his statements are protected under the guise of artistic expression.

The song delves into the tension between freedom of expression and legal boundaries. Danger Dan cleverly uses the concept of "Kunstfreiheit" (artistic freedom) to shield his provocative statements, challenging listeners to consider the role of art in political and social discourse. He references real-life incidents, such as the legal battle with Ken Jebsen, to illustrate the absurdity and hypocrisy of those who claim to be victims of censorship while promoting harmful ideologies. This narrative not only highlights the artist's defiance but also serves as a commentary on the broader societal and political landscape.

In the final verses, Danger Dan abandons the hypothetical and directly accuses the mentioned figures of their alleged wrongdoings. He criticizes the state's failure to address fascism and systemic racism, pointing to historical and contemporary examples of police and governmental complicity in these issues. The song culminates in a call for militancy as a last resort against oppression, underscoring the urgency and frustration felt by those fighting for justice. Through this powerful and unapologetic anthem, Danger Dan reaffirms the essential role of art in challenging and confronting societal injustices.