Big Brother

David Bowie's song 'Big Brother' delves into themes of control, surveillance, and the human desire for a savior in a dystopian society. The lyrics evoke a sense of disillusionment with the present and a yearning for a powerful figure to lead and protect. The reference to 'dust and roses' and 'last year's capers' suggests a rejection of past glories and superficial distractions, instead calling for something more substantial and transformative, symbolized by 'steel' and 'pulsars unreal.' This imagery sets the stage for the introduction of Big Brother, a figure who promises to build a new, albeit chaotic, world.

The song's chorus highlights the paradoxical nature of this desire for a leader. The plea for a 'savior' who can 'claim us,' 'shame us,' and 'fool us' reflects a complex relationship with authority. The mention of 'some brave Apollo' alludes to the Greek god of prophecy and healing, suggesting that the people are looking for someone who can provide both guidance and redemption. However, the repeated call for 'Big Brother' also hints at the darker side of this longing, as it evokes the oppressive surveillance state from George Orwell's '1984.' This duality captures the tension between the need for security and the loss of individual freedom.

Bowie's portrayal of Big Brother as someone who has 'made everyone' and 'been everywhere' underscores the omnipresence and omnipotence of this figure. The line 'Lord I think you'd overdose if you knew what's going down' suggests that even this powerful entity might be overwhelmed by the reality of the world. This adds a layer of irony and critique, questioning the very idea of placing blind faith in a single leader. Through 'Big Brother,' Bowie explores the complexities of power, control, and the human condition in a way that resonates with contemporary societal issues.