Quer Dançar?

De Leve's song "Quer Dançar?" is a sharp, satirical commentary on the socio-economic realities and cultural contradictions of contemporary life in Brazil. The lyrics paint a vivid picture of the struggles faced by the working class, juxtaposing the glamorous facade of modernity with the harsh truths of economic disparity and social injustice. The artist uses humor and irony to highlight the absurdities of daily life, from the drudgery of working in a multinational corporation to the superficiality of consumer culture.

The song opens with a critique of high-tech slavery in multinational companies, comparing it to the dullness of a playback performance at a Sandy concert. De Leve contrasts the fictional lives depicted in soap operas with the real struggles of young people who face familial conflicts over smoking marijuana. The lyrics also touch on the cultural dissonance experienced by Brazilians who adopt foreign habits, such as speaking English when ordering a Big Mac, while still dealing with local economic hardships, like washing clothes by hand.

De Leve's lyrics also delve into the pervasive influence of sensationalist media, personified by the figure of Zé Luis Datena, and the superficiality of knowing an author without understanding their work. The song criticizes the legal and economic systems that favor the wealthy and powerful, leaving the common man to struggle with debts and legal battles. The chorus, "Quer dançar? Entra na dança!" invites listeners to join the dance of life, despite its challenges, and to bring their families along for the ride.

The second verse continues the critique, focusing on the exploitation of workers by their bosses, who enjoy luxuries while denying fair wages. De Leve addresses societal expectations and prejudices, from the stigmatization of homosexuality to the enforcement of gender norms. The lyrics also mock the commercialization of religion and the superficiality of social status, questioning the value of material possessions like expensive watches. The song concludes with a call to embrace life's absurdities and contradictions, suggesting that true freedom lies in rejecting societal pressures and finding one's own path.