Trabajando para Dios

Def con Dos, a Spanish rap-metal band known for their provocative and satirical lyrics, delivers a biting critique of both the job market and organized religion in their song 'Trabajando para Dios.' The song narrates the frustrations of a job seeker who, after numerous failed attempts to find employment, decides to join the clergy as a last resort. The lyrics are filled with dark humor and irony, highlighting the perceived ease and hypocrisy within religious institutions.

The protagonist starts by describing the exhaustive and demoralizing process of job hunting, from filling out endless forms to facing constant rejections. This struggle is compounded by societal and familial pressures, as depicted in the lines where the protagonist's mother berates him for being lazy. The turning point comes when he observes the seemingly carefree lives of nuns and realizes that the Church offers a stable and undemanding career path. This revelation is sarcastically celebrated as a moment of enlightenment, mocking the idea that religious vocations are a divine calling rather than a pragmatic choice.

Once the protagonist becomes a priest, the song delves into the corrupt and morally dubious activities he engages in, such as exploiting parishioners and abusing his position of power. The lyrics 'Reparto bendiciones, desvirgo monaguillos, sobo ancianas y me guardo los cepillos' paint a grim picture of the protagonist's actions, further emphasizing the song's critical stance on the Church. The repeated phrase 'Trabajando para Dios' serves as a bitter reminder of the protagonist's new 'job,' which, despite its holy facade, is rife with exploitation and misconduct.

Def con Dos uses 'Trabajando para Dios' to challenge both the inefficiencies of the job market and the sanctity of religious institutions. The song's satirical tone and vivid imagery force listeners to question societal norms and the true nature of work and morality.