Mal por mal

Deolinda Deolinda

The Paradox of Conformity and Self-Identity in 'Mal por mal' by Deolinda

In 'Mal por mal,' Deolinda delves into the complex interplay between societal expectations and personal identity. The song's protagonist grapples with the pressure to conform to a 'normal' life, complete with a stable job and adherence to societal norms. Despite achieving these milestones, the protagonist feels a profound sense of disconnection and loss of self. The lyrics 'Mas quando acordo e não sei / Quem eu sou, quem me tornei / Eu começo a bater mal' poignantly capture this internal conflict, highlighting the emotional toll of living up to external expectations.

The recurring line 'O teu bem faz-me tão mal' serves as a powerful metaphor for the detrimental effects of well-meaning but ultimately oppressive societal pressures. The protagonist acknowledges that they fit into the expected structure and do not offend societal morals, yet this conformity leaves them feeling unfulfilled and incomplete. The song critiques the notion that what is considered 'good' or 'right' by societal standards is not necessarily beneficial for individual well-being. This sentiment is further emphasized in the lines 'Mas quando me impões o meu bem / Eu ainda sinto aquém,' illustrating the protagonist's struggle to find personal satisfaction within the confines of imposed ideals.

In the final verse, the protagonist asserts their desire for autonomy and self-determination, even if it means facing disapproval or hardship. The declaration 'Sei que me vais virar do avesso / Se eu te disser foi em mim que apostei' signifies a turning point, where the protagonist chooses to prioritize their own sense of self over societal approval. The concluding line 'O teu mal faz-me tão bem' encapsulates the paradoxical relief and empowerment that comes from rejecting imposed norms and embracing one's true identity, even if it is perceived as 'wrong' by others.

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  1. Clandestino
  2. Mal por mal
  3. Um contra o outro
  4. Passou Por Mim e Sorriu
  5. A Problemática Colocação de Mastro
  6. Parva Que Eu Sou
  7. Fungaga da Bicharada
  8. Que Parva Que Eu Sou
  9. Seja Agora
  10. Concordância
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