Scooby Doo (feat. Abbot)

In 'Scooby Doo,' DEREK, a prominent figure in the Brazilian trap scene, collaborates with Abbot to deliver a raw and unfiltered narrative of street life. The song's title might evoke a sense of playfulness, but the lyrics delve into serious themes, painting a vivid picture of the challenges and realities faced by those living on the fringes of society. The repeated mention of 'Two-two-three,' a reference to a type of firearm, underscores the ever-present danger and the need for self-defense in their environment.

The lyrics highlight the constant struggle against systemic racism, as seen in lines like 'Policia racista já sente o cheiro' (racist police already smell it). This reflects the pervasive issue of racial profiling and police brutality, a significant concern in many communities. The imagery of 'blocos e blocos em cima de blocos' (blocks and blocks on top of blocks) symbolizes the accumulation of wealth and the hustle required to achieve it, often through illicit means. The references to luxury brands like BAPE and Levis further emphasize the juxtaposition of their harsh realities with their aspirations for a better life.

DEREK and Abbot also touch on themes of loyalty and camaraderie within their 'gang,' a term that, in this context, represents a close-knit group of friends who support each other through thick and thin. The song's repetitive structure and catchy hooks mirror the cyclical nature of their lives, where each day brings new challenges but also new opportunities. The mention of 'Scooby Dooby Doo' serves as a metaphor for the constant pursuit of solutions to their problems, much like the cartoon character's endless quest to solve mysteries.

Overall, 'Scooby Doo' is a powerful commentary on the struggles, resilience, and aspirations of those navigating life in the streets, wrapped in the energetic and gritty soundscape typical of Brazilian trap music.