Buenas Tardes

 Diomedes Díaz Diomedes Díaz

The Fleeting Nature of Love and Time in 'Buenas Tardes'

Diomedes Díaz's song 'Buenas Tardes' is a poignant reflection on the transient nature of time and love. The song opens with the arrival of the afternoon, personified as a visitor who greets the singer but cannot stay. This metaphor sets the tone for the entire song, emphasizing the fleeting moments that define our lives. The afternoon, much like love and other significant experiences, comes and goes, leaving a lasting impact but never lingering for long.

The narrative then shifts to a personal story of a hidden love in Barranquilla. The singer waits for his beloved, who is still in school, highlighting a sense of innocence and unfulfilled desire. The fear and hesitation that prevent this love from blossoming mirror the earlier metaphor of the afternoon—beautiful but ephemeral. The repetition of 'también se va' (also goes away) reinforces the idea that these moments, no matter how cherished, are temporary.

In the final verses, the singer grapples with a moral and religious dilemma. He has a commitment to his faith and the church, which conflicts with his feelings for his beloved. This internal struggle adds depth to the song, portraying the complexities of human emotions and responsibilities. The plea for divine help underscores the singer's desperation and the universal quest for guidance in matters of the heart. Through 'Buenas Tardes,' Diomedes Díaz masterfully captures the essence of fleeting moments, unfulfilled love, and the moral conflicts that shape our lives.

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  1. Mas alla del cielo
  2. A Un Cariño Del Alma
  3. Lluvia de Verano
  4. Condor Herido
  5. Tu Cumpleanos
  6. La Inconforme
  7. Los Recuerdos de Ella
  8. Sueños y Vivencias
  9. Tres Canciones
  10. Mi Primera Cana
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