Casi Estatua

Divididos' song 'Casi Estatua' delves into the themes of power, illusion, and societal roles through a series of vivid metaphors and cultural references. The lyrics paint a picture of a world where the common man, represented by the pawn in a chess game, is perpetually subjugated by those in power, symbolized by the king. The phrase 'nunca el peón se come al rey' (the pawn never eats the king) underscores the unchanging hierarchy and the futility of challenging the status quo.

The song also critiques the superficiality and deception inherent in societal structures. The line 'con la cara hecha ajedrez va la magia militar' (with a face made of chess, the military magic goes) suggests a facade of strategy and control, while 'sueldo de héroe quincenal, casi estatua de estación' (bi-weekly hero's salary, almost a station statue) highlights the hollow recognition given to those who serve the system. The reference to 'patria de un boyero muerto y un tambero digital' (homeland of a dead oxherd and a digital dairyman) juxtaposes the old and new, hinting at the loss of traditional values in the face of modernity.

The chorus, 'dale soga ponga humor a la verdad' (give it rope, add humor to the truth), calls for a more lighthearted approach to confronting harsh realities. However, the repeated assertion that 'esta tierra cero peso no es real' (this land of zero weight is not real) suggests a deep disillusionment with the current state of affairs. The song's imagery of 'ansias de depredador, rostro Kennedy te haces' (predator's desires, you make a Kennedy face) and 'pan y circo y la cocó' (bread and circus and the cocó) further critiques the manipulation and distraction tactics used by those in power to maintain control.

Ultimately, 'Casi Estatua' is a powerful commentary on the illusions of power and the enduring struggle of the common man within a rigid societal structure. It challenges listeners to see beyond the facade and question the realities presented to them.