Muerto a laburar

Divididos' song 'Muerto a laburar' delves into the complexities of modern idolatry and the ironic transformation of revered figures into commercialized icons. The lyrics open with a reference to a 'matarife de dios' (God's butcher), suggesting a figure who holds power and control, perhaps a religious or spiritual leader. This character is depicted as prioritizing himself over others, hinting at the hypocrisy often found in positions of authority. The phrase 'combustión espiritual' (spiritual combustion) further emphasizes the internal conflict and the struggle to maintain authenticity in a world driven by superficial values.

The song reflects on the passage of time, particularly 'justo a 20 años del adiós' (exactly 20 years since the farewell), which could be a nod to the enduring impact of a significant event or person. The 'frutos de estación de tentación' (seasonal fruits of temptation) and 'entrega maternal a un nuevo semidiós' (maternal delivery to a new demigod) suggest the cyclical nature of idol worship, where new figures are constantly elevated to divine status. The line 'cuánto vale hoy tu confesión' (how much is your confession worth today) questions the sincerity and value of modern expressions of faith or loyalty.

The chorus, with its repeated '¡Ay! Si volvieras acá, no podrías creer qué pasó' (Oh! If you came back, you wouldn't believe what happened), underscores the drastic changes and the commercialization of once-sacred symbols. The mention of 'morbo pasión' (morbid passion), 'capo del algodón' (cotton boss), and 'bandera y rington' (flag and ringtone) highlights the trivialization and commodification of revered figures. The imagery of 'glicinas de un día de sol de ayer' (wisteria of a sunny day of yesterday) and 'un ángel pasa por acá' (an angel passes by here) evokes a sense of nostalgia and loss of purity. The final line, '¡Muerto a laburar!' (Dead to work!), serves as a stark reminder of the ultimate futility and the relentless grind of modern life.