Capim

Djavan's 'Capim' is a song that weaves a rich tapestry of Brazilian imagery and metaphor, creating a narrative that is both deeply personal and reflective of broader cultural themes. The lyrics evoke the natural beauty of Brazil, from the 'Capim do Vale' (grass of the valley) to the 'vara de goiabeira' (guava tree branch) by the river, which the singer stops to bless. This act of blessing suggests a connection to spirituality and the reverence for nature that is often found in Brazilian culture. The mention of 'Mãe d'Água,' a mythical figure akin to a mermaid or water spirit, further deepens this connection, as the singer invites her to receive his affection.

The song also references various Brazilian locations, such as the 'Pinheiros do Paraná' and 'Mangas do Pará,' highlighting the country's diverse landscapes. The 'pitombeiras da Borborema' and the 'tronco do Juremá' (trunk of the Jurema tree) are also mentioned, adding to the rich geographical and botanical imagery. These references serve to ground the song in a specific cultural and environmental context, celebrating the natural wonders of Brazil. The line 'A Ema gemeu no tronco do Juremá' could symbolize the cry of nature or the struggles of the indigenous people, as the ema (a large bird) is native to South America.

The song also touches on themes of loss and disillusionment, as seen in the lines 'Cacique perdeu mas lutou que eu vi' (The chief lost but fought, I saw) and 'Jari não é Deus mas acham que sim' (Jari is not God but they think so). These could be interpreted as commentary on the struggles of indigenous leaders against colonization and modern exploitation. The poignant ending 'Que fim levou o amor / Plantei um pé de fulô deu capim' (What happened to love / I planted a flower and got grass) suggests a lament for lost love or lost causes, where efforts to cultivate something beautiful result in something mundane or unwanted. Djavan's use of metaphor and cultural references paints a picture of a land that is both cherished and challenged.