Misiles Con Mantequila

Don Lunfardo Y El Señor Otario's song 'Misiles Con Mantequilla' paints a vivid picture of existential angst and societal decay. The lyrics describe a sense of aimlessness, as the narrator moves 'from here to there without going anywhere,' encapsulating a feeling of being stuck in a perpetual state of midnight. This imagery suggests a life devoid of direction or purpose, further emphasized by the metaphor of picking a flower and a sprig of parsley from the 'great shit of the world,' indicating small, futile acts in a world filled with chaos and corruption.

The song critiques societal pressures and the false promises of success. The line 'Dios nos regaló un penal y el arquero es satanás' (God gave us a penalty and the goalkeeper is Satan) highlights the futility of striving for success in a rigged system. The narrator questions whether there is anything left to hope for, asking repeatedly, '¿nada, no queda nada?' (nothing, is there nothing left?). This sense of despair is compounded by the imagery of 'missiles with butter' falling from above, symbolizing destructive forces masked by a veneer of gentleness or normalcy.

Economic violence and societal expectations are also central themes. The lyrics describe money as a violent force that 'steals, kills, and roams free,' and critique the toxic masculinity perpetuated by societal norms. The song portrays life as a 'slow-motion suicide,' with death waiting in the living room, symbolizing the ever-present nature of mortality and suffering. Despite the bleak outlook, there is a glimmer of hope in the camaraderie found in shared suffering, as the narrator toasts to the bad times, suggesting that perhaps something good is yet to come.

The song's raw and poetic language, combined with its critical social commentary, makes 'Misiles Con Mantequilla' a powerful reflection on the human condition and the societal structures that shape our lives.