Ramayama (feat. Farruko)

In 'Ramayama,' Don Omar and Farruko take listeners on a sensory journey filled with relaxation, indulgence, and a touch of mysticism. The song's lyrics paint a vivid picture of a laid-back atmosphere where the artists elevate their experiences through music, marijuana, and the company of beautiful women. The repeated phrase 'Subo los cristales' (I roll up the windows) sets the scene for a private, enclosed space where they can fully immerse themselves in their chosen pleasures without outside interference.

The term 'Ramayama' itself seems to be a blend of 'Rama,' a reference to the Hindu deity associated with virtue and chivalry, and 'Yama,' which can mean 'control' or 'restraint' in Sanskrit. This fusion suggests a state of controlled bliss or a spiritual high, achieved through the rituals described in the song. The lyrics emphasize the importance of the present moment, as seen in lines like 'Viendo el horizonte donde el sol se esconde' (Watching the horizon where the sun sets) and 'apreciando lo que el presente responde' (appreciating what the present responds). This focus on mindfulness and appreciation of the now adds a deeper layer to the otherwise hedonistic themes.

Culturally, the song taps into the Rastafarian ethos with references to 'rastafari' and 'Willy Cultura,' blending Caribbean influences with modern reggaeton beats. The use of marijuana is not just for recreation but also for meditation and enlightenment, as indicated by lines like 'No hay ocio sin espacio para meditar y aprender lo que enriquece el alma' (There is no leisure without space to meditate and learn what enriches the soul). This duality of pleasure and spiritual growth makes 'Ramayama' a multifaceted track that resonates on multiple levels, from the casual listener to those seeking a deeper connection with the music and its message.