Lo Deberías Pensar (part. Jonas Sanche)

DrefQuila DrefQuila

A Tempting Escape: The Allure of Forbidden Love in 'Lo Deberías Pensar'

DrefQuila's song 'Lo Deberías Pensar,' featuring Jonas Sanche, delves into the complexities of a clandestine relationship. The lyrics paint a vivid picture of a woman who is disillusioned with her current partner and finds herself drawn to the excitement and novelty offered by the narrator. The song opens with a sense of uncertainty, as the narrator acknowledges that he doesn't know when this attraction began, but he is acutely aware that she is thinking about him even when she is with someone else.

The recurring theme of dissatisfaction in her current relationship is evident throughout the song. The woman is described as feeling unmotivated and emotionally unfulfilled, leading her to seek solace and excitement elsewhere. The narrator offers an escape, both physically and emotionally, suggesting that they run away together and indulge in forbidden pleasures. The mention of marijuana and the idea of escaping to a place without people further emphasize the desire for a break from reality and societal norms.

The song also explores the idea of spontaneity and unpredictability in their encounters. The narrator highlights how their interactions are never the same, adding an element of excitement and mystery. This contrasts sharply with the monotony she experiences with her current partner. The lyrics suggest that their connection is not just physical but also emotional, as the narrator understands her desires and imaginations. The song's chorus reinforces this idea, with the repeated line 'Lo deberías pensar' (You should think about it), urging her to consider the possibility of a new, more fulfilling relationship.

Overall, 'Lo Deberías Pensar' captures the allure of forbidden love and the temptation to break free from an unfulfilling relationship. It speaks to the universal desire for excitement, novelty, and emotional connection, making it a relatable and captivating piece of music.

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