Barrados

Edson Gomes' song 'Barrados' delves into the pervasive issue of social prejudice and the resilience required to navigate it. The lyrics paint a vivid picture of the artist's experiences with discrimination, particularly racial profiling. The opening lines, 'Ando meio cansado (não desisto) / Por várias vezes barrados no baile (ainda insisto),' reflect a sense of weariness yet determination. Despite being repeatedly 'barrados no baile' (barred from the dance), a metaphor for being excluded from societal privileges, the artist remains steadfast in his beliefs and actions.

The song poignantly describes a specific incident where a woman clutches her purse upon seeing the artist, symbolizing the deep-seated racial biases that plague society. This scene is not just a personal anecdote but a representation of a broader societal illness. The repetition of 'São cenas da minha cidade uma doença da sociedade' underscores the idea that these prejudices are systemic and widespread. The artist challenges the listener to reflect on their own experiences and perceptions with the lines, 'Você aí como passa você aí o que acha disso,' urging a collective introspection on societal attitudes.

In the chorus, 'Somos barrados no baile todos barrados no / Baile eles dizem que só para gente bonita,' Gomes critiques the superficial standards and exclusionary practices that define social acceptance. The reference to 'gente bonita' (beautiful people) highlights the arbitrary and often discriminatory criteria used to judge worthiness. Despite these challenges, the artist's faith remains unshaken, as he expresses hope in a higher power, 'Deus de abraão, jacó, issac virá / E nele toda minha esperança de / Paz, saúde e alegria.' This spiritual belief provides a source of strength and optimism, reinforcing the theme of resilience in the face of adversity.