Me Engana Que Eu Gosto

Eduardo Costa Eduardo Costa

The Sweet Deception of Love: Analyzing 'Me Engana Que Eu Gosto' by Eduardo Costa

Eduardo Costa's song 'Me Engana Que Eu Gosto' delves into the complex emotions of love, longing, and self-deception. The lyrics paint a vivid picture of a person who is deeply in love and willing to accept lies just to feel loved and desired. The repeated plea for the partner to say they won't leave, even if it's a lie, highlights a desperate need for reassurance and emotional connection. This desperation is further emphasized by the request to hear that the partner still adores them and that their body still belongs to them, even if these words are not true.

The song uses powerful metaphors to convey the depth of the protagonist's feelings. The line 'Diga que é de mim que você gosta e faço parte do seu jogo' suggests a willingness to be part of a game, indicating a sense of vulnerability and submission. The metaphor of putting one's hand in the fire ('E põe a sua mão no fogo') symbolizes a readiness to take risks and endure pain for the sake of love. This imagery underscores the intensity of the protagonist's emotions and their willingness to be deceived just to maintain a semblance of the relationship.

Eduardo Costa's musical style, often characterized by its emotional depth and traditional Brazilian sertanejo influences, adds another layer to the song's meaning. The heartfelt delivery and poignant melody enhance the sense of longing and melancholy. The chorus, with its plea to be taken to bed, loved, and deceived, encapsulates the bittersweet nature of the protagonist's desires. The song ultimately portrays a poignant and relatable narrative of love's complexities, where the need for affection can sometimes lead to self-deception and acceptance of falsehoods.

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  1. Diz Pro Meu Olhar
  2. Abandonado
  3. Esquecer é Nosso Jeito
  4. Eu Quero Te Amar
  5. Faz de Conta
  6. Horizonte Azul
  7. Duas Camisas (feat. Leonardo)
  8. Na Saideira
  9. Culpados
  10. Cada Dia Eu Te Quero Mais
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