Drume Negrita Drume Mobila Ay Mamá Inés

El Consorcio's song 'Drume Negrita Drume Mobila Ay Mamá Inés' is a rich tapestry of cultural heritage and tender lullabies. The song is a medley of traditional Afro-Cuban lullabies and folk songs, each carrying its own unique story and emotional weight. The lyrics are a blend of soothing promises and cultural references, creating a comforting yet poignant atmosphere.

The first part, 'Drume Negrita,' is a lullaby that speaks to a mother’s love and care for her child. The mother promises to buy a new crib with beautiful decorations if the child sleeps. This part of the song highlights the universal theme of parental love and the lengths to which parents will go to ensure their child's comfort and happiness. The mention of 'mamey' and 'babalao' introduces elements of Afro-Cuban culture, with 'mamey' being a sweet tropical fruit and 'babalao' referring to a priest in the Yoruba religion, hinting at the cultural and spiritual dimensions of the song.

The second part, 'Drume Mobila,' continues the theme of a mother soothing her child, but with a slightly different tone. Here, the mother is in the fields, promising to bring back various treats and delicacies. The lyrics also introduce a sense of caution with the mention of the 'white devil,' adding a layer of historical and social context, possibly alluding to the colonial past and the dangers faced by the Afro-Cuban community.

The final part, 'Ay Mamá Inés,' is a lively folk song that celebrates Afro-Cuban culture. The repeated line 'Todos los negros tomamos café' (All the black people drink coffee) is a joyful assertion of cultural identity and community. This part of the song brings a sense of unity and shared experience, rounding off the medley with a vibrant and communal spirit.

Overall, 'Drume Negrita Drume Mobila Ay Mamá Inés' is a beautiful blend of lullabies and cultural pride, reflecting the rich heritage and emotional depth of Afro-Cuban traditions.