Arrastão

Elis Regina's song 'Arrastão' is a rich tapestry of Brazilian culture, spirituality, and the daily life of fishermen. The term 'arrastão' refers to a fishing technique where a large net is dragged through the water to catch fish. This imagery is central to the song, symbolizing both the physical act of fishing and the deeper, spiritual connections to the sea and its deities. The lyrics evoke a sense of community and shared labor, as everyone is called to participate in the fishing effort, breaking away from the shadows of inactivity.

The song also weaves in elements of Afro-Brazilian religion, particularly the worship of Iemanjá, the goddess of the sea, and Santa Bárbara, a syncretic figure often associated with Iansã, the orisha of winds and storms. The invocation of these deities highlights the spiritual dimension of the fishermen's work, suggesting that their success is not just a matter of skill but also of divine favor. The repeated calls to 'me traz Iemanjá pra mim' (bring Iemanjá to me) and the blessings sought from Santa Bárbara underscore the importance of these spiritual figures in the lives of the fishermen.

The song's climax, where the fishermen witness an unprecedented abundance of fish, can be seen as a metaphor for divine providence and the rewards of faith and hard work. The mention of 'nosso Senhor do Bonfim,' a reference to a famous church in Salvador, Bahia, further roots the song in Brazilian religious and cultural traditions. Elis Regina's powerful and emotive delivery adds another layer of depth, making 'Arrastão' not just a song about fishing, but a profound reflection on faith, community, and the bounties of the sea.