Só de Sacanagem

Elisa Lucinda's song 'Só de Sacanagem' is a powerful anthem of defiance and hope amidst the pervasive corruption in Brazil. The lyrics express a deep frustration with the systemic dishonesty that plagues the country, symbolized by 'malas, cuecas que voam entupidas de dinheiro' (suitcases and underwear stuffed with money). This imagery highlights the blatant and shameless nature of the corruption, which diverts funds meant for essential services like education and healthcare. The singer's heart 'está aos pulos' (is racing), reflecting the emotional toll of witnessing such injustice.

The song also delves into the personal impact of this corruption, questioning how many times the singer's hope and trust will be tested. The reference to simple, moral teachings from family—'Não roubarás' (Thou shalt not steal) and 'Devolva o lápis do coleguinha' (Return the classmate's pencil)—contrasts sharply with the 'coisa nojenta e torpe' (disgusting and vile things) that the singer has had to endure. This juxtaposition underscores the betrayal felt by ordinary citizens who adhere to ethical principles while those in power exploit the system.

In a bold declaration, the singer vows to become 'mais honesta ainda' (even more honest) as an act of rebellion—'Só de sacanagem' (just for the hell of it). This defiance is a form of resistance against the normalization of corruption, a refusal to accept that 'todo o mundo rouba' (everyone steals). The singer's unwavering hope is encapsulated in the repeated assertion that 'minha esperança é imortal' (my hope is immortal). The song concludes with a rallying cry for collective action, emphasizing that while the beginning cannot be changed, 'se a gente quiser, vai dá para mudar o final' (if we want, we can change the ending). This message of resilience and integrity serves as a beacon of hope for a better future.