Maria da Vila Matilde

Elza Soares Elza Soares

Empowerment and Defiance: Elza Soares' Anthem Against Domestic Violence

Elza Soares' song "Maria da Vila Matilde" is a powerful anthem that addresses the issue of domestic violence with a tone of defiance and empowerment. The lyrics depict a woman who has reached her breaking point and decides to take a stand against her abuser. The repeated line, "Cê vai se arrepender de levantar a mão pra mim" (You will regret raising your hand to me), serves as a bold declaration of her refusal to tolerate abuse any longer. By threatening to call the police (dialing 180, the Brazilian domestic violence hotline), she asserts her right to safety and justice.

The song is rich with vivid imagery and metaphors that illustrate the protagonist's determination to protect herself. She talks about throwing boiling water, releasing the dog, and publicly shaming her abuser. These actions symbolize her reclaiming power and control over her life. The mention of showing bruises to the police and exposing the abuser's gambling habits further emphasizes her resolve to hold him accountable. The lyrics also highlight the societal aspect of domestic violence, as she mentions the neighbors witnessing the abuser's humiliation, thereby breaking the silence that often surrounds such issues.

Elza Soares, known for her unique voice and resilience, brings authenticity and emotional depth to the song. Her career has been marked by overcoming personal hardships, and she has become a symbol of strength for many. "Maria da Vila Matilde" not only resonates with those who have experienced domestic violence but also serves as a rallying cry for collective action and support. The song's repetitive and assertive nature underscores the urgency and importance of addressing and combating domestic violence in society.

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  1. Salve a Mocidade
  2. Maria da Vila Matilde
  3. Mulher do Fim do Mundo
  4. Na Pele (part. Pitty)
  5. Deus Há de Ser
  6. O Que Se Cala
  7. Rio de Janeiro
  8. Libertação (part. BayanaSystem e Virgínia Rodrigues)
  9. A Carne
  10. Não Recomendado
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