Nunca Mais Poder

Engenheiros do Hawaii's song 'Nunca Mais Poder' delves into the paradoxical nature of modernity and eternity, exploring how these seemingly contradictory concepts coexist. The lyrics repeatedly assert that 'everyone is modern, everyone is eternal,' likening this duality to an 'old clock.' This metaphor suggests that despite the relentless march of time and the constant push for modernity, there is an underlying timelessness to human existence. The song juxtaposes various eras and cultural references, from 'Havana' to 'Hawaii,' and from 'the Pope' to 'pop culture,' emphasizing that these elements, though modern in their time, possess an eternal quality.

The song also touches on the fear of obsolescence, questioning why there is a 'fear of being left behind, of never being able to be more.' This fear is a reflection of societal pressures to constantly evolve and stay relevant, yet the song reassures that everyone, in their essence, is both modern and eternal. The mention of historical and cultural icons like 'the columns of Niemeyer' and 'the Netherlands of 1974' serves to illustrate that what was once modern remains significant, thus eternal, in the collective memory.

Engenheiros do Hawaii uses a blend of poetic language and cultural references to challenge the listener's perception of time and existence. The song suggests that the quest for modernity is a superficial pursuit, as true significance lies in the timeless essence of our actions and creations. By invoking a wide range of symbols and metaphors, the band encourages a deeper reflection on the nature of progress and the enduring impact of our cultural heritage.