Daltónico

Enjambre Enjambre

Navigating a World of Deception: The Struggle of Perception in 'Daltónico'

Enjambre's song 'Daltónico' delves into the complexities of perception and the struggle to discern reality in a world filled with deception. The title itself, which translates to 'Colorblind,' sets the stage for a narrative about confusion and the inability to distinguish between truth and falsehood. The opening lines, 'Me pintaron todo de rosa / Pero yo estoy viendo otra cosa,' suggest a world painted in an idealistic hue that contrasts sharply with the singer's actual experience. This metaphor of seeing things differently from how they are presented is a recurring theme throughout the song.

The lyrics continue to explore this theme by juxtaposing various elements of perception. The lines 'No distingo qué delicia / Qué es bondad y qué es malicia' highlight the difficulty in distinguishing between pleasure and pain, good and evil. This confusion extends to broader concepts such as trust and betrayal, acceptance and reproach, and even day and night. The repeated phrase 'No distingo' underscores the singer's frustration and resignation in the face of a reality that is deliberately obscured.

Cultural and social commentary is also woven into the song. The mention of 'Rojo te encuentras en mi bandera / De mi patria estoy sangrando fuera' suggests a critique of national identity and the disillusionment with one's country. The imagery of bleeding out from the flag indicates a sense of betrayal and loss. The song's exploration of 'voluntaria ceguera' or 'voluntary blindness' points to a societal tendency to ignore inconvenient truths, further complicating the quest for clarity and understanding. Through its rich metaphors and poignant lyrics, 'Daltónico' captures the essence of a world where reality is masked, and the struggle to see clearly is a constant battle.

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  1. Impacto
  2. Vida En El Espejo
  3. Elemento
  4. Tercer Tipo
  5. Enemigo
  6. Ciencia de La Lluvia
  7. El Beso Del Payaso
  8. Homografobia
  9. Somos Ajenos
  10. Mujer En La Caja
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