Canción Cruel

Enrique Bunbury Enrique Bunbury

The Weight of Words and Time in 'Canción Cruel'

Enrique Bunbury's 'Canción Cruel' delves into the power and consequences of words, as well as the relentless passage of time. The song opens with a caution against believing everything one hears or reads, highlighting how easily misinformation and rumors can spread. Bunbury emphasizes that anyone can write or say something without truly thinking it through, leading to misunderstandings and misinterpretations. This sets the stage for a broader commentary on how words can be weaponized, becoming 'armas arrojadizas' (throwing weapons) against others.

The lyrics also touch on the idea of personal responsibility and self-awareness. Bunbury suggests that one's actions and words can ultimately lead to self-destruction, as indicated by the line 'al final el problema serás tú' (in the end, the problem will be you). This introspective angle encourages listeners to reflect on their own behavior and the impact of their words on others. The ticking clock motif throughout the song serves as a reminder of the finite nature of time, urging individuals to consider how they spend their remaining moments.

In the latter part of the song, Bunbury proposes an alternative to the cycle of negativity and misinformation: listening to new voices and seeking out fresh perspectives. This idea is encapsulated in the lines 'Que tal escuchar otras voces algo que no conoces' (How about listening to other voices, something you don't know). By doing so, one can find passion and surprise, akin to experiencing something for the first time. The song ultimately calls for a more thoughtful and open-minded approach to communication and life, urging listeners to break free from the constraints of preconceived notions and societal pressures.

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  1. Lady Blue
  2. La Actitud Correcta
  3. Los Restos Del Naufragio
  4. Infinito
  5. Ven y Camina Conmigo
  6. Entre dos tierras
  7. Apuesta por el rock n´roll
  8. Nada
  9. Negativo
  10. Los Placeres de la Pobreza
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