N.O.M.
Enrique Bunbury
The Irony of Control: Unpacking Enrique Bunbury's 'N.O.M.'
Enrique Bunbury's song 'N.O.M.' delves into the complexities and ironies of modern societal control, often referred to as the 'New World Order.' The lyrics open with a seemingly benign image of drinking jasmine green tea and warming one's throat, which quickly transitions into a critique of blindly following authoritative figures. The 'sermones de los oradores' (sermons of the orators) symbolize the persuasive speeches of those in power, who claim to know what is best for the masses.
The song then shifts to a more direct critique of societal structures, likening them to a 'burdel' (brothel) with inconvenient hours, highlighting the exploitation and dissatisfaction inherent in the system. The phrase 'quieres vacaciones en prime time' (you want vacations in prime time) underscores the unrealistic expectations and desires fostered by consumer culture. Bunbury's repetition of 'El nuevo orden mundial sabe lo que hace' (The new world order knows what it is doing) is laced with irony, suggesting that while the system may be efficient, it is not necessarily benevolent or just.
Further, the lyrics touch on economic instability with 'Te sobra mes a final del sueldo' (You have more month than salary), a common struggle for many. The ground trembling beneath one's feet symbolizes the precariousness of modern life. The song also addresses the futility of individual efforts within this system, comparing them to 'ladridos de perro' (dog barks), implying that personal contributions are often insignificant and ignored. The repeated lines 'Lo que esperan de ti, no lo mereces' (What they expect from you, you don't deserve) and 'Lo harás muy bien' (You will do very well) reflect the pressure to conform and perform, despite the lack of genuine recognition or reward.
'N.O.M.' is a powerful commentary on the manipulation and control exerted by societal structures, urging listeners to recognize and question the forces that shape their lives. Bunbury's use of vivid imagery and irony makes the song a poignant critique of modern existence.