Necrofilia

Enrique Bunbury's song 'Necrofilia' delves into the darker, more visceral aspects of love and intimacy, using stark and provocative imagery to draw parallels between the act of love and death. The title itself, 'Necrofilia,' immediately sets a macabre tone, suggesting a fascination with death that permeates the lyrics. Bunbury, known for his poetic and often controversial lyrics, uses this song to explore the destructive and consuming nature of love, likening it to a form of murder.

The lyrics describe the act of love as 'lo más parecido a un asesinato' (the closest thing to a murder), emphasizing the idea that intimacy can be a violent and soul-erasing experience. The bed becomes a stage for this 'terror gozoso' (joyful terror), where the goal is to erase the soul of the person beneath, whether man or woman. This metaphor suggests that in the throes of passion, individuals lose their sense of self, becoming almost lifeless in their vulnerability and exposure.

Bunbury further intensifies this imagery by describing ejaculation as 'ensuciar el cuerpo' (dirtying the body) and penetration as 'humillar con la verga' (humiliating with the penis). These lines highlight the physical and emotional degradation that can accompany sexual acts, portraying them as acts of dominance and submission. The repeated theme of erasure—'borrar o ser borrados' (erase or be erased)—underscores the transient and often destructive nature of these encounters. Ultimately, the song leaves the listener with a haunting image of departure and loss, encapsulated in the final lines, 'irse, dejarlo / Una vez más / Entre tus labios' (leave, let go / Once more / Between your lips).

Bunbury's 'Necrofilia' is a stark and unsettling exploration of the darker sides of love and intimacy, using vivid and controversial imagery to challenge the listener's perceptions and evoke a deep emotional response.